From a Family of Teachers, the '80s Heartthrob Keeps His Personal Life Private — What We Know About His Lifestyle

He has long mesmerized audiences with his intensity — yet off-screen, he's a private figure, disciplined, detached from technology, and defined by quiet habits.

Born to teachers in Boston, he defied his family's academic path, taking on a variety of odd jobs — from shoveling manure to teaching yoga — before unexpectedly finding his way to Hollywood success.

Childhood Roots, Unconventional Dreams

That drive led him to New York, where he pursued a career in acting. Raised in an academic home, he attended elite East Coast schools where his parents taught. But unlike his sisters, he preferred performing to studying, often staging plays for family gatherings.

He moved to New York to pursue acting, supporting himself through gritty, hands-on work, including loading railroads and teaching yoga. It was at the gym that he met Victoria Kheel, a certified yoga instructor. Their friendship blossomed into romance, and after nearly a decade together, they tied the knot.

With his preppy charm and sharp intelligence, he fit easily into 1980s Hollywood. But while friends like Robert Downey Jr. and Eric Stoltz embraced the era's excess, he stayed on the sidelines, favoring focus over fame.

He has been refreshingly honest about one of the biggest constants in his life: obsessive-compulsive disorder. "I'm obsessive-compulsive," he admitted in a 2014 interview. "I have very, very strong obsessive-compulsive issues. I'm very particular."

He went on to explain that these weren't the kinds of quirks people laughed off — his routines were essential to his daily functioning, affecting every part of his life and performance.

Routine isn't just a comfort — it's a necessity. While some might find his discipline restrictive, it's become a signature part of his process. Yet, that same intensity can make life unpredictable for those around him.

Rejecting the Digital World

His name? James Todd Spader. His rejection of technology mirrors his resistance to fame. He once held up a battered Razr phone, explaining that he owns no computer or modern devices.

"I have no computer, no electronics in my life. I have this broken phone. It rings, I'll flip it open and the act of doing that shuts the phone off," he said. Even his sons — then aged 16 and 20 — were unimpressed.

During a 2020 interview with Jimmy Fallon, he joked, "No, no, no, I couldn't — This was the only option […] I don't know how to work any of the stuff. I don't have a laptop. I don't know how to do any of it."

That preference for low-tech, low-profile living extends into the public sphere. In a Playboy interview, when asked if women ever approached him in public, he replied, "Not particularly. I've been very successful keeping a private face on things, even out in public."

He added, "If you're recognizable and you want to draw people to you in public, you can do that. I don't. If people put their lives in the public eye a lot, people feel as if they've gotten to know them through the media. I try not to open the door to my private life in a public way."

From Bit Roles to Cannes Acclaim

James is an actor whose first significant role emerged in the 1981 romantic drama "Endless Love," playing Brooke Shields's brother. From there, his career took shape through a mix of television films and appearances in Brat Pack features.

It wasn't until 1989's "Sex, Lies, and Videotape" that James exploded into critical acclaim, portraying a sexual voyeur who throws the lives of three Baton Rouge residents into turmoil. His haunting performance earned him the Best Actor prize at the Cannes Film Festival, setting the stage for a wave of complex, often edgy roles that would define his career.

James's most iconic role may well be that of Alan Shore, the morally flexible attorney in David E. Kelley's legal dramas, "The Practice" and "Boston Legal." Between 2004 and 2008, he took home three Primetime Emmy Awards for Outstanding Lead Actor in a Drama Series and was nominated for a Golden Globe and multiple Screen Actors Guild Awards.

Fatherhood, Divorce, and New Love

James and Victoria had two sons together — Sebastian and Elijah Spader. Sebastian, who is now a director and producer, once worked as a real estate agent.

Their second son, Elijah, has followed a similar path into the entertainment world, working in audio post-production and even collaborating with his father on several episodes of "The Blacklist."

In 2004, James and Victoria divorced. Not long after, he began a quiet, long-term relationship with actress and sculptor Leslie Stefanson. The pair currently lives in New York City with their five-year-old son, Nathanael Spader.

The two also acted in the sci-fi thriller "Alien Hunter," which follows the discovery of a mysterious alien black box in the South Pole, where a government agency is conducting secret botanical experiments.

James's Reflections on Being a Late-Life Dad

James has spoken candidly about becoming a father later in life, "I believe in a negative population growth. The other two were with another mother, so we have three boys that will replace all three of us."

As the years passed, his view of fatherhood deepened. He spoke of feeling time move differently now — of a slower rhythm and a clearer sense of what truly matters. The pull of home had grown stronger, and the reasons to step away from it had changed. What once felt like ambition now carried the weight of choice, shaped by experience and a quieter kind of awareness.

Even during the pandemic's isolation, James found small joys in fatherhood. In the interview with Jimmy, he shared, "My youngest son, my 12-year-old, we'd go out and line up beer cans on the big rock out on the far end of the garden and shoot at them with BB guns."

Through every stage of his career — from Brat Pack flicks to network television hits — James has kept the same quiet rhythms. He guards his time, resists the pull of modern technology, and surrounds himself with family, routine, and creative work. It's a life lived with intent, far from the glitz of the red carpet and precisely the kind of quiet existence James seems to prefer.